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PRIMO
AQUINO
Primo Aquino learned the art of rug making from generations of his
Zapotec family and through his own personal experimentation in color
and form. He is one of the only weavers in Mexico who weaves round
rugs. Primo studied chemistry at the College of Ciudad de Oaxaca.
He has used that modern training to supplement his knowledge of
traditional dyeing techniques that he learned from his grandparents.
He has worked on natural dyeing projects with the Cultural Institute
of Oaxaca. He teaches classes and workshops on natural dyeing and
weaving in his workshop in Santa Anna Del Valle, Oaxaca, Mexico.
LEE BALE
Lee Bale is a surface design artist who wields a silkscreen like
a paintbrush. Pattern and image become both a symbolic language
and a structure. For the past two decades she has traveled, written,
curated and exhibited extensively in both Canada and the United
States. and has shown in significant juried exhibitions abroad.
Her career as a teacher and artist has been diverse, including work
at Parsons School of Design, University of California-Davis, the
Art Institute of Chicago, Sheridan College in Ontario, and as project
manager for the Ann Hamilton installation at the Henry Art Museum
in Seattle. Her work is included in The Surface Designers Art.
JOY BOUTRUP
Joy Boutrup is a textile engineer who was educated in Krefeld, Germany.
She has lectured extensively about textile printing, color chemistry
and textile technology at Danmarks Designskole and in other Scandinavian
countries, the United States, Canada, Australia, and Japan. She
was the head of the Textile, Paper and Leather Conservation Program
at the National Museum of Denmark from 2000 to 2003 and is now a
free-lance lecturer in textile chemistry and technology.
JEFFREY BRUCE
Jeffrey Bruce has 19 years of experience as a fine art photographer
specializing in photographing three-dimensional art. His work is
seen internationally in books, periodicals and posters. He has photographed
work for artists, galleries, museums and collectors.
JEAN WILLIAMS CACICEDO
Jean Williams Cacicedo was a prime innovator in the Art To Wear
Movement and recieved an NEA Fellowship Grant in 1976. Her work
in dyed and felted wool cloth has been exhibited throughout the
United States and abroad. In 2000, a 30-year retrospective of her
work was featured at the Museum of Craft and Folk Art in San Francisco.
Jean is represented by galleries and has her work in private museum
collections nationwide. Based in Berkeley, Jean teaches in her studio
and has been both teacher and visiting artist in many schools, including
CCA in Oakland, Penland School of Crafts, Spilt Rock Arts Program
and RMIT, Melbourne, Australia.
DOROTHY CALDWELL
Dorothy Caldwell maintains a studio in Ontario where she has lived
and worked for the past 25 years. She co-founded the Canadian Surface
Design Organization, and teaches and curates exhibitions. Her work
is represented in many permanent collections, including The Museum
of Arts and Design in New York and The Canadian Museum of Civilization.
She has been featured in Fiberarts, Surface Design Journal and the
book The Designers Art. In 1990 she received the Saidye Bronfman
Award given to one Canadian artist each year and was nominated for
the Governor Generals Award in 2003.
J.R. CAMPBELL AND JEAN L. PARSONS
J.R. Campbell and Jean L. Parsons will be co-teaching. J.R. is an
associate professor in textiles and clothing at Iowa State University.
He explores the visual, cultural and technological aspects of digital
textile printing as he creates connections between two-dimensional
print design and three-dimensional forms. He regularly shows artwork
in national and international juried exhibitions. Jean Parsons has
a professional background in fashion and theater design, and a strong
interest in designing apparel that is sculptural in form and does
not follow traditional seam placement. Her current interest in digital
apparel and textile design evolved through exploration of collaborative
design processes with textile artists. Her designs have been shown
at galleries and exhibitions both nationally and internationally.
ANNA CARLSON
Anna Carlson creates unique garments that blend beautiful textiles,
functional design and exceptional quality. Combining layering, stitching,
texturing, coloring with dye and paint, and embroidered drawings,
ordinary fabrics are transformed into sumptuous materials. The clothing
is designed with classic style, flattering fit and elegant details
to enhance the textile designs and to delight the senses of the
wearer and those around her. Since 1990, Carlson has been showing
her collection across the country in prestigious art/craft shows,
galleries and specialty boutiques, and by appointment in her St.
Paul, MN studio/showroom. She teaches workshops on fashion design
and has written articles for national magazines.
KATHARINE COBEY
Katharine Cobey applies a unique approach to an old craft. In her
hands the domesticated skill of knitting is a daring and risk-taking
process that turns itself to new creative areas. Her hand knits
are not just fabric but are formed into shapes and used sculpturally.
Her work has been exhibited in many museums and galleries, including
solo shows at the Textile Museum in Washington D.C. and Houston,
Texas. Katharine strives for clarity and simplicity in her teaching
style and in her own work. She pursues these goals in her Maine
studio as well as in workshops nationally. Currently she is completing
a book on diagonal knitting.
AKEMI NAKANO COHN
Akemi Nakano Cohn was educated at Cranbrook Academy of Art and at
Tama Art University in Tokyo. She has taught at the School of the
Art Institute of Chicago, and has been a visiting artist at the
University of Nebraska and the Anderson Ranch Arts Center. She has
exhibited her work in group and solo shows nationally and internationally.
Her commissioned work is in the collections of the Unitarian Church
of Evanston, IL, and Loyola University Medical Center. Akemi's work
has also appeared in The Best of Silk Painting, American Craft,
Fiberarts, Surface Design Journal, and Fiberarts Design Books Five,
Six, and Seven.
JUDY DOMINIC
Judy Dominic was introduced to natural fibers while growing up on
a farm and has been creating ever since. Her use of natural and
odd materials has become a signature as she recycles anything that
stands still into her fiber art. Judy displays her work and curates
basketry exhibits throughout North America and teaches internationally.
She was honored locally in 2001 for enhancing the quality of community
life through art. Time spent as a track mom is paying off, as she
and her husband support, encourage and watch their three sons race
out into the world on their own courses.
DENNIS PAUL DOORDAN
Dennis Paul Doordan is chairman of the Department of Art, Art History
and Design at the University of Notre Dame. He is a design historian
and co-editor of Design Issues, a journal devoted to the history,
theory and criticism of design. He has published books and articles
on a wide variety of topics dealing with architecture and design.
He served as an exhibition consultant and contributed catalog essays
for exhibitions organized by The Art Institute of Chicago, The Carnegie
Museum of Art, the Guggenheim Museum, The Toledo Art Museum and
the Wolfsonian Foundation in Miami Beach.
JANE DUNNEWOLD
Jane Dunnewold grew up in central Ohio, an area rich in the traditions
of sewing and quilt making. Her work has been included in many juried
and invitational exhibitions. Jane maintains a private studio in
San Antonio, Texas where her focus is printed art cloth. She is
the author of Complex Cloth and Improvisational Screen Printing.
Her work has been included in numerous exhibitions and won the Gold
Prize for textiles at the International Fabric Exhibition in Taegu,
Korea in 2001.
CATHERINE ELLIS
Catherine Ellis, an artist from North Carolina, divides her time
between studio work and teaching in the Professional Fiber Program
at Haywood Community College. A weaver for many years, she developed
the process of woven shibori and continues to explore new applications
of the process. She teaches and exhibits internationally, and her
work has been recently published in Memory on Cloth: Shibori Now
by Yoshiko Wada, Fiberarts Design Book Seven and The Nature of Craft
and the Penland Experience. Interweave Press will publish her own
book, The Weaver's Studio: Woven Shibori, in the fall of 2005.
DEB ERIKSON
Deb Erikson sees herself primarily as a storyteller. She fuses her
life experiences as a biologist, high school computer and science
teacher, counselor, digital geek and, finally, as a fiber artist
to help create the fullest experience possible for her audience.
She incorporates digital graphics in all of her fiber work, either
directly by printing on silk or indirectly in the design process.
Deb uses her art to illustrate her comments at speaking engagements
for groups that include fiber artists, cancer survivors, and mental
health and spiritual organizations. Her articles have been published
in Spin Off Magazine.
MEHMET GIRGIC
Mehmet Girgic has been a felt maker since he was a teenager, as
were his father and grandfather before him. He keeps traditional
techniques alive by creating Kece (carpets), Kepeneks (shepherdÕs
cloaks) and Sikki (Dervish hats). He has researched and revived
many traditional felting methods and has passed on his knowledge
to fiber artists who flock to his studio to learn from the Master.
His work has been featured in Felt; New Directions for an Ancient
Craft and National Geographic. Mehmet has taught classes in the
United States and Europe, as well as in his workshop in Konya, Turkey.
RAE GOLD
Rae Gold was trained in graphic design and learned the art of selling
art as gallery director and salesperson for Circle Fine Art Corporation,
a national publishing company. She is a weaver and crocheter and
has been self-employed as a knitwear designer for 20 years. She
specializes in felted and dyed coats, jackets, shawls and scarves
and sells at ACC shows in Baltimore, Philadelphia, and Washington,
and at the Smithsonian Craft Show. Her work has appeared in Ornament
Magazine and the Surface Design Journal.
BEVERLY GORDON
Beverly Gordon is a professor of textile and design history and
material culture analysis at the University of Wisconsin-Madison.
Her books include Shaker Textile Arts; Feltmaking: Traditions, Techniques
and Contemporary Explorations; Bazaars and Fair Ladies: The History
of the American Fundraising Fair; and The Saturated World: Aesthetic
Meaning, Intimate Objects, WomenÕs Lives, 1890-1940. She
has written articles on subjects ranging from Colonial Revival needlework
to the history of crepe paper or Indian beadwork. Her talk The Fiber
of Our Lives is also coming out as a book.
LISA GREY
Lisa Grey has been a full-time fiber artist for over 25 years. She
has extensively studied and used many dyeing techniques and has
worked in various fiber media, including printmaking, quilting,
weaving, basketry and creative sewing. Her individual and collaborative
two and three-dimensional artwork is shown in galleries across the
country and internationally. She teaches nationally and for Horizons
to Go in Provence, France. Her teaching style encourages students
to push the boundaries while exploring the 'what ifs.'
ANA LISA HEDSTROM
Ana Lisa Hedstrom specializes in contemporary adaptations of traditional
Japanese Shibori techniques. Her art clothing and interior wall
hangings have been exhibited and published internationally and are
in the collections of the Oakland Museum, The DeYoung Museum, the
Cooper Hewitt Museum and the Museum of Art and Design in New York.
Ana Lisa has taught at San Francisco State University and at many
summer programs, including Haystack School of Craft and University
of Minnesota Split Rock Arts program. She has received two NEA craftsman
grants and was elected a fellow of the American Craft Council in
2003.
BONNIE LEE HOLLAND
Bonnie Lee Holland is a studio artist (mixed media and surface design)
and consultant in organization development and creative problem
solving. As an Artist-in-Education artist for the Maryland State
Arts Council, her projects have included a mural, banners, quilts,
artist books and wearable art. While a former cultural director
of all arts programs for the City of Rockville, MD, she organized
both large-scale and smaller community projects, working with city
lawyers to develop contracts related to projects. Her work has been
exhibited at the Museum of Women in the Arts in Washington, D.C.
and the Katonah Museum of Art in New York.
JORIE JOHNSON
Jorie Johnson was introduced to handmade felt in Finland. Seeking
information about the rediscovered technique that is employed for
the funky as well as the functional, she has been traveling the
world ever since. She interned at Marimekko and opened her own design
studio, Joi Rae Textiles, in Boston. Jorie designs hand-felted body
wear, accessories and items for interiors. A lecturer at several
universities in Japan, she also leads workshops in the United States
and Europe. Her work is in the collection of the Victoria &
Albert Museum and has appeared in contemporary textile publications
worldwide.
CATHERINE JOSLYN
Catherine Joslyn is inspired by cultures she experienced during
two years in Peru and other travels. Her work has been exhibited
internationally and published in Surface Design Journal and GroveÕs
Dictionary of Art. She has created woven tapestries for the Architects
Collaborative, Boston, been a visiting artist at the Kansas City
Art Institute, and served on the SDA Board of Directors. She is
currently a professor and former chairperson of the Art Department
at NASAD-accredited Clarion University of Pennsylvania, where she
teaches fiber, surface design and African Diaspora arts.
CHRISTINE KELLER
Christine Keller is a German-born, Montreal-based artist whose work
combines design, education, hand weaving and technological research.
She has been working with Louise LŽmieux BŽrubŽ,
specializing in computer-aided hand weaving and has taught in Germany,
Mongolia, Australia and Canada. Her award-winning woven and felted
design work for the socially engaged 'Handweberei im Rosenwinkel'
has been shown worldwide. She is presently a research assistant
at the Hexagram Institute of New Media in the Arts, Montreal. In
addition to her MFA, she has a degree in product-design. Christine
is especially interested in the clash of tradition and new technology
and its consequence for the future.
TRACY KRUMM
Tracy Krumm has exhibited internationally in galleries and museums.
She is an adjunct faculty at the Kansas City Art Institute and has
been guest artist and lecturer at the University of California at
Santa Cruz, the University of Montana and the Memphis College of
Art. She has been awarded residencies by the Museum of International
Folk Art in Santa Fe, NM, Pyramid Atlantic in Silver Spring, MD,
and the State of New York at ArtPark. Her work has been featured
in numerous publications and resides in many private and corporate
collections.
CAROL LeBARON
Carol LeBaron is a professional artist and educator who received
her MFA from the Rhode Island School of Design. Her clamped wool
and jacquard work has been exhibited nationally and has won several
awards. Her work has been published in the Surface Design Journal.
Carol has taught at RISD, the Appalachian Center for Crafts and
at Eastern Tennessee State University. She has received a major
research grant for her resist explorations on wool.
CHUNGHIE LEE
Chunghie Lee is a fiber artist and writer who lectures extensively
worldwide. Her study of Pojagi, Korean traditional wrapping cloths,
has inspired wall pieces, sculptures and wearables. Chunghie has
exhibited throughout the world. Her works have appeared in Ornament,
Fiberarts, Surface Design Journal and Textile Forum, and are also
featured in Techno Textiles: Revolutionary Fabrics for Fashion and
Design and the 2000 International Designers Yearbook. She has pieces
in many private, corporate and museum collections, including The
Victoria & Albert Museum in London, The American Museum of Art
and Design in New York, and the Jack Lenor Larsen Foundation.
GINNY O'BRIEN LOHR
Ginny O'Brien Lohr exhibits her art, conducts workshops and has
written articles for Surface Design Journal and Fiberarts Magazine.
She has taught courses at Buffalo State College in surface design,
weaving, and computer-assisted textile design. A registered nurse,
Ginny developed a visual arts program for inpatients at Erie County
Medical Center, Buffalo, NY. She is teaching this outreach program
as part of her responsibilities as education coordinator at the
University at Buffalo Anderson Gallery.
WENDY LUGG
Wendy Lugg has exhibited professionally for 20 years. She is an
internationally respected artist and teacher, and a Churchill Fellow.
Wendy chooses to work with fabric, a lifelong plaything that speaks
to her in a way in which no other media does. She cannot resist
old fabrics that whisper about their past in every blemish. WendyÕs
work is directed by her desire to explore the world and record her
response to it. Asia's rich cultural traditions are tantalizingly
close to her Western Australian doorstep, and whenever possible
she indulges in Asian expeditions, seeking old textiles and new
experiences.
PATRICIA MALARCHER
Patricia Malarcher, editor of the Surface Design Journal and SDA
Newsletter, has contributed chapters to books including Objects
and Meaning (Scarecrow Press), Helena Hernmarck: Tapestry Artist
(Byggforlaget) and Michael James: Art & Inspiration (C&T
Publishing). She has written essays for exhibition catalogs, including
Generations/Transformations (American Textile History Museum), Cultures
Revealed: Appliques from Around the World (Visual Arts Center, North
Carolina State University/Raleigh) and Threads: Fiber in the '90s
(New Jersey Center for Visual Arts). A recipient of a James Renwick
Fellowship for research in craft criticism, she is also a studio
artist whose pieced constructions have been shown internationally.
ELIN NOBLE
Elin Noble is the author of the award-winning book, Dyes & Paints:
A Hands-On Guide to Coloring Fabric. Her many years of experimentation
and keen interest in how things work add to her vast understanding
of dyeing; everything from feathers to paper pulp, and of course,
fabric, yarn and thread. As former lab manager at PRO Chem, Elin
was responsible for helping troubleshoot customer problems, as well
as testing and developing new product applications and writing directions.
She has lectured and conducted workshops nationally and internationally.
Her work was in Fiberarts and is on the cover of Fine Woodworking
Design Book Six.
MARIE O'MAHONY
Marie O'Mahony is an independent consultant specializing in advanced
textiles and technology. Her clients include Hussein Chalayan, Zaha
M. Hadid, Institut Textile de France, NIKE, Ove Arup and Partners
and Seymour Powell. She has curated exhibitions and given lectures
and workshops internationally, including at Stanford University
(United States), Kobe Design University (Japan), and the British
Museum. Three of her books have been published by Thames and Hudson:
TechnoTextiles, (co-author); Cyborg, the Man-Machine; and SportsTech
(co-author). She is currently working on a revised edition of TechnoTextiles
for publication in 2005.
JULIA E. PFAFF
Julia E. Pfaff grew up with a family tradition of quilt making.
She earned a degree in art history and printmaking from the University
of Toronto, an MFA in textiles from Virginia Commonwealth University
and worked as an archaeological illustrator in Greece, Egypt, and
Jordan. Julia was a 2000-2001 recipient of an Individual Artist's
Fellowship from the Virginia Commission for the Arts. Her work has
been exhibited in the United States, Canada, and Japan and is included
in public and private collections. She is currently adjunct faculty
at Virginia Commonwealth University in the Department of Fashion
Design and Merchandising.
SIGRID PIROCH
Sigrid Piroch is well known to weavers for her computer work, color
use, research, original designing, teaching, jurying and many published
articles. She is the director of her own teaching studio, ARTS,
and has taught numerous classes on history, technique, conservation
and computers, both nationally and internationally for museums,
guilds, schools and even royalty! She has also exhibited and juried
shows all over the world and recently published The Magic of Handweaving:
The Basics and Beyond. Sigrid has alpha and beta tested software
and loom interfaces since 1984, staying on the cutting edge of new
developments.
JASON POLLEN
Jason Pollen is an internationally recognized artist and teacher
known for his fiber art and use of innovative techniques. He exhibits
in major fine art galleries and exhibitions in Europe, Asia, and
the United States. A native New Yorker, Jason has lived and worked
in Paris, London, Zurich, India and Tibet, and has taught at the
Royal College of Art in London, the Pratt Institute in New York
and the Parsons School of Design in New York. He is currently the
chair of the Kansas City Art Institute Fiber Department and the
president of the Surface Design Association.
ERICA SPITZER RASMUSSEN
Erica Spitzer Rasmussen is an artist who creates mixed media and
handmade paper garments. She received her BFA and MFA from the University
of MN, Minneapolis, which included course work in Mexico and Greece.
Her current work explores issues of identity and corporeality, often
utilizing clothing as a metaphor for oneÕs skin. Rasmussen
teaches studio arts as an assistant professor at Metropolitan State
University in St. Paul, MN, and papermaking at the Minnesota Center
for Book Arts. Her sculptural and wearable works are exhibited internationally.
ROWLAND RICKETTS III and CHINAMI RICKETTS
Rowland Ricketts' work with indigo began with a two-year apprenticeship
in Tokushima, Japan. He spent one year learning to farm and process
the indigo plants and a second year studying the traditional wood-ash
lye, natural fermentation indigo vat, as well as shibori techniques.
After his apprenticeship, Rowland established a studio and farm
with his wife Chinami, a kasuri weaver. Together they farmed and
hand-processed the indigo that they used in their work. Rowland
and Chinami returned to the United States in 2003 so that he could
pursue an MFA at Cranbrook Academy of Art. Rowland has exhibited
throughout Japan, and his work and writing have appeared in Shuttle
Spindle and Dyepot magazine.
BIRD ROSS
Bird's son says: "She was born, but I don't know when; she
makes art and enjoys sewing." Bird lives with her furniture-making
husband Tom Loeser and their three children in Madison, WI. She
has lived in 17 cities in the U.S. and four cities in foreign countries
since her birth in 1957. She has her BS in French from Tulane University
and her MFA from the University of Wisconsin-Madison. Bird enjoys
teaching, lecturing and exhibiting globally. Her passion for art
making and idea-hatching stems from an insatiable curiosity about
the way the concrete and abstract worlds are perceived and manifested.
CAROL SHINN
Carol Shinn is a studio artist from Arizona known internationally
for photo-realistic machine-stitched images. She has taught many
classes and workshops throughout the United States as well as teaching
at Arizona State University and Mesa Community College
in Arizona. Her work is in numerous public and private collections
and has been featured in Surface Design Journal, American Craft,
Fiberarts, Embroidery, and Georgia Review, as well as in the books
Celebrating the Stitch by Barbara Lee Smith, Discovery: 50 Years
of Craft Experience edited by Carl Little and Fiberarts Design Books
Six and Seven.
MARY RUTH SMITH
Mary Ruth Smith holds a Ph.D. in art education from Florida State
University and an MFA in fabric design from The University of Georgia.
She is professor of art at Baylor University where she teaches fiber
and art education courses. Her work has been exhibited extensively
throughout the United States and in Canada, England, France, Italy,
Taiwan and the Ukraine. SmithÕs work has been most recently
shown in Fiberarts Design Books Six and Seven, Surface Design Journal,
Embroidery Magazine and Art Crowd. She has taught numerous workshops
and presented lectures for a variety of professional and lay organizations.
JO STEALEY
Jo Stealey is an associate professor at the University of Missouri-Columbia
and head of the fiber program. Her sculptural baskets are exhibited
nationally and internationally. She is represented by Thirteen Moons
Gallery in Santa Fe and Fountainhead Gallery in Seattle. Notable
exhibitions include: Contemporary Baskets No Boundaries organized
by the Society of Arts and Crafts in Boston, MA; Baskets Now: USA
at the Arkansas Arts Center; and A New Era of Sculpture, a traveling
exhibition in Taiwan. Her work has been included in Fiber Arts Design
Books Three though Seven, as well as in Surface Design Journal and
Shuttle Spindle & Dyepot.
JOY STOCKSDALE
Joy Stocksdale received a BFA from California College of Arts and
Crafts in Oakland, CA. As a result of studies at GoldsmithÕs
College, University of London in 1979, she developed polychromatic
screen-printing. Her printed silk garments, hangings and quilts
have been exhibited throughout the United States. She has taught
workshops at craft schools, guilds and conferences. She is the author
of an instructional book on her process, Polychromatic Screen Printing.
YOSHIKO IWAMOTO WADA
Yoshiko Iwamoto Wada is an artist, scholar and curator. She currently
serves as president of the World Shibori Network. Past affiliations
include: Center for Japanese Studies, UC-Berkeley; The Fabric Workshop
and Museum, Philadelphia; The Textile Museum, Washington, D.C.;
Smithsonian Institution; and the National Institute of Design in
India. Her artwork has been exhibited in international venues, including
the Renwick Gallery, the International Textile Fair in Kyoto, Japan,
and the Society for Contemporary Crafts in Pittsburgh. She co-authored
Shibori: the Inventive Art of Japanese Shaped Resist Dyeing, and
her book Memory on Cloth: Shibori Now is a classic.
COLETTE WOLFF
Colette Wolff has been studying creative textile techniques for
over 30 years. Her art-for-exhibition explores the expressive possibilities
of manipulated, sculpted and stitched cloth. She has been sharing
her discoveries by teaching at conferences and guilds across the
United States and writing continually for commercial publication,
as well as self-publishing. Her book, The Art Of Manipulating Fabric,
is a reference that all textile artists should have on their shelves.
BHAKTI ZIEK
Bhakti Ziek is a studio weaver who works in her solar, strawbale
home in New Mexico. She has exhibited her weavings extensively for
25 years. She is known for enthusiastic writing and lectures on
textiles. Her work is included in prestigious collections and has
been featured in such magazines as Fiberarts, Surface Design Journal,
Threads and American Craft. A former college professor, she has
an MFA from Cranbrook Academy of Art; a BFA from the University
of Kansas; and a BA from SUNY at Stony Brook.
For
More Information:
Conference
Registration starts Jan. 3, 2005.
For Registration Information and Registration Form
Click
here
If you are not a member but would like to request a conference brochure,
e-mail Marie Plakos: marie.plakos@att.net
Questions:
For all conference related questions:
Carolyn Kallenborn
Kansas City Art Institute
4415 Warwick Blvd.
Kansas City, Missouri 64111
816-802-3370
e-mail: cmkallen@earthlink.net
For SDA Membership Information:
Joy Stocksdale
The Surface Design Association
P.O.Box 360
Sebastopol, CA 95473-0306
707-829-3110
e-mail: joystocks@worldnet.att.net
Did
you miss the last conference?
"Hands On" June 5 - June
8, 2003
Recap of the conference
Original 2003 announcement
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