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Uncovering
The Surface
June 6 - June 10
Post-Conference Workshops
You
do not need to be a member of SDA to take a workshop
If
you do not register for the confernce, there will be an
additional $50 "workshop only" fee for most workskhops.
Workshops marked * have a reduced "workshop only"
fee of $15 to encourage non-members to attend |
ONE-DAY
DEMONSTRATIONS
MONDAY, JUNE 6
* Photographing
Textiles
Jeffrey Bruce
Have you ever been frustrated trying to take a great picture of
your work? This workshop is designed to help you learn to look
at the lights and shadows in order to 'see' the way your camera
does. Jeff will start with a slide presentation that will be followed
by a photo and lighting demonstration. Both conventional and digital
photography will be addressed, and the class will include extensive
discussion. Participants are encouraged to bring slides of their
own work. Individual critiques of slides will be available at
the end.
Level: All levels
Workshop Fee: $80 - Supply Fee: $5
TWO-DAY WORKSHOPS
MONDAY, JUNE 6 -TUESDAY, JUNE 7
Shibori: A Look at Neglected Techniques
Ana Lisa Hedstrom This workshop
is full
Investigate the traditional and contemporary possibilities of
shibori techniques that have been largely unappreciated by American
artists: Katano shibori (stitching through accordion folds) Shirokage
white shadow (stitching and wrapping on a rope), Tesuji (pleating
fabric around a rope), and Hotaru shibori (cotton ball resist).
On the first day we will remain fairly faithful to the original
techniques in order to learn skills and grasp the basic concepts.
The second day will be experimental - using contemporary tools
and surface applications. Ana Lisa will bring samples of Japanese
shibori, examples of her own work, and books and catalogs to instruct
and inspire.
Level: All levels
Workshop Fee: $165 - Supply Fee: $20
* Artists
and Communities:
The
Nuts and Bolts of Successful Projects
Bonnie Lee Holland
for
more information
This workshop is for artists who want to share their materials,
techniques, ideas, processes and own work in the community. Topics
explored through exercises, discussion, slides, samples and a
hands-on mini project include: artist roles (teaching artists,
collaborators, trainers and managers of large projects); finding
opportunities (Artist-in-Education programs, prisons, museums
and other funding sources, plus programs artists can develop themselves
or through collaboration); factors for successful projects (matching
projects to groups, time, scheduling, funds, resources, group
process, communication, artist fees, negotiation, contracts and
marketing); and common problems - how to avoid or fix them.
Level: All levels
Workshop Fee: $165 - Supply Fee: $25
THREE-DAY WORKSHOPS
MONDAY, JUNE 6 - WEDNESDAY, JUNE 8
Working from the Inside Out: The Creative
Process
Jean Williams Cacicedo this workshop
is full
We are all heirs to a wealth of inner personal resources that
can take shape and form through the creative process of art making.
Students will uncover the infrastructure that informs our lives
through the awareness of personal mythology. We will focus on
forming ideas, images and themes for work made possible through
memory, reflection and conversation. A blend of writing, drawing
and paper collage exercises will be used incorporating basic design
principles. Supportive critiques and discussions on how we can
better define, develop and sustain our ideas will provide students
a challenging environment for the development of art making.
Level: All media interests and levels welcome.
Workshop Fee: $225 - Supply Fee: $10
*
Bogolan Fini (Mud Cloth) Modified
Judy Dominic
for
more information
When Mali children get their clothes muddy, their mothers have
a wonderful way of making it into art! Actually, the traditional
method of Bogolan Fini, dyeing cotton cloth with mud, is a serious
artistic way of telling the stories of the village. Learn the
traditional process as well as the nonscientific Dominic version.
During the workshop you will create your own striking story designs
using local mud on cotton cloth. A bonus is the opportunity to
learn the 'mud dance' while connecting with the earth and gaining
an appreciation of the Mali culture.
Level: All levels
Workshop Fee: $225 - Supply Fee: $20
Self-Portraits: Art in Our Own Image
Deb Erikson
This
workshop has been cancelled.
For
more information
Self-portraits are powerful
and revealing, fun and silly, all at once. Participants will create
self-images using digital cameras, snapshots brought from home
and contour drawing, an expressive style of drawing where one
looks into a mirror instead of at the paper while drawing. The
powerful tools of Adobe PhotoShop will be explored while manipulating
or combining these images before final printing on silk fabric
that has been prepared by the student. Continued embellishment
using the student's specialty fiber art techniques will also be
encouraged, including, but not limited to, dyeing, beading or
embroidery.
Level: Beginner to intermediate
Workshop Fee: $225 - Supply Fee: $30
* Traditional
Turkish Felt Rug Making
Mehmet Girgic
For
more information
Learn from a true master of traditional Turkish felt making without
traveling abroad. Students in this workshop will learn the centuries-old
method for creating a colorful, multipatterned Turkish Kece, or
felted carpet. By layering natural-dyed wool roving, this method
of felt making allows for wonderful expression of line and shape.
Each participant will complete a small felted carpet. Please note
that this is a physically demanding workshop, as the rugs are
thick and must be hand felted for durability.
Level: All levels, but must be physically healthy.
Workshop Fee: $225 - Supply Fee: $40
Printmaking with Disperse Dyes
Lisa Grey This workshop is full
Delve into the expanding world of applying imagery to paper and
fabric. Explore the unique properties of disperse dyes as applied
to printmaking. Participants will create several monoprints using
a heat press and different types of printmaking papers on synthetic
fabrics, while experimenting with various ways to alter or enhance
the print, including under-painting, texturing, screen printing
and fusing fabrics to the paper's surface. Possibilities range
from subtle to intense color and painterly to abstract design.
Using an ink jet printer loaded with sublimation inks, we will
add computer-assisted designs to the mix. Come prepared to play!
Level: All levels
Workshop Fee: $225 - Supply Fee: $50
* Textile
Design on the Computer
Sigrid Piroch
For
more information
See and compare features of dozens of user-friendly and affordable
weaving, graphics design and image management programs for the
PC running under Windows in a Mac-like environment. Work with
programs and features you select to create colorful, exciting
and original designs! Learn to access and use resources from the
Web. Get a handle on working with unique drafts, color models,
and image modification and enhancement. Adopt software that is
a match for your surface design interests. Where do YOU want to
go today?
Level: All levels
Workshop Fee: $225 - Supply Fee: $30
Japanese Indigo: Part 2 - Dyeing
Rowland and Chinami Ricketts
Students will experience firsthand the challenges posed by various
combinations of resist techniques and materials when working with
indigo through the completion of a length of ori-nui shibori cloth
(fold and stitch shibori). Students' understanding of the skills
necessary to work with a traditional Japanese indigo vat will
be enhanced through demonstrations of plain and gradation dyeing,
katazome and yarn dyeing techniques, as well as by looking at
contemporary and historical textiles that illustrate these techniques.
Level: Preconference workshop Japanese Indigo Part 1: Vat Preparation
is suggested, but not required.
Workshop Fee: $225 - Supply Fee: $50
"Painting" with Freestyle Machine
Embroidery
Carol Shinn this workshop is full
Explore imagery and surface enhancement using a basic sewing machine.
Emphasis will be on creating a surface saturated with layers of
threads. Develop your own style of 'mark making' with shading,
hatching and color mixing. Sample ways of using heat transfer
images, dissolvable fabric, collage and couching. We will discuss
designing, troubleshooting, finishing and presentation. After
initial exercises, attention is given to developing individual
ideas and projects. Students may work two or three-dimensionally.
Computerized machine-controlled patterns will not be covered.
Level: All levels, but should be familiar with sewing machines.
Workshop Fee: $225 - Supply Fee: $25
* Handmade
Paper: Exploring the Surface
Jo Stealey
For
more information
| Learn to
paint with over-beaten paper pulp to create unusually designed,
visually rich surfaces, where the images are integrated
directly into the sheet of paper. Students will explore
sheet forming techniques, a variety of methods to paint
with pulps and collage materials into the paper, methods
to emboss or print on paper (manually |
|
or
computer generated), and ways to turn these papers into two or
three-dimensional forms. Special attentionwill be given to the
unique effects that can be achieved with over-beaten, high-shrinkage
pulps.
Level: All levels
Workshop Fee: $225 - Supply Fee: $40
The Art of Manipulating Fabric
Colette Wolff
Venture into a kind of surface design that exploits the contrasts
between high-relief and low-relief elevations, as well as smooth
and rough textures. You'll use the simplest of means - a length
of cloth, a threaded needle, the hand-guided running stitch-to
alter the one-dimensional flow of the fabric. Working with three-dimensional
effects, such as wrinkles, gathers, folds, fringes, puffs, and
stuffed or padded elements, you'll create a bas-relief compositionÐa
small art panel constructed with manipulated techniques that play
with light and shadow. During the process, you're free to explore
each manipulated configuration following the direction you're
inspired to take.
Level: All levels
Workshop Fee: $225 - Supply Fee: $15
FOUR-DAY WORKSHOPS
MONDAY, JUNE 6 - THURSDAY, JUNE 9
Surface Design Fabrics Only a Weaver Can
Make
Catharine Ellis
Taiten shibori is a little-known traditional shibori process,
practiced in Japan in the early 20th century. It is done on a
loom and makes use of a plain tabby structure to create resists
for dyeing or other surface applications. Rich and complex layers
of color can be created by means of immersion dye, direct application
and discharge. Resists will be applied at different stages of
the dye process. All dyeable fibers are suitable for this workshop
and the process will easily transfer to the weaver's own studio
work.
Level: All levels, but must be able to set up a floor loom and
weave tabby or plain weave.
Workshop Fee: $300 - Supply Fee: $30
* Weavefeltings:
Textured Surfaces Through Weaving and Felting with Different Materials
Christine Keller
For
more information
In this workshop you will explore the opportunities of combining
weaving and felting to get strongly textured surfaces. You will
see that mixing wool yarns with other materials will open a variety
of possibilities to control the shape and surface of the fabric.
We will look at examples together, and from there you will start
to weave your own samples. Different weave structures will be
developed, including basic double weaves. At the end of the workshop
we will felt the samples together and exchange experiences. We
will also discuss production weaving and hints to save time in
the fabrication process.
Level: Intermediate to advanced
Workshop Fee: $300 - Supply Fee: $50
Sculptural Crochet
Tracy Krumm
for
more information
The crochet hook is a tool by which fabric can be made and things
can be connected. This workshop explores the nature of crochet
as a format for sculpture; alone or combined with other materials
and techniques. We will explore diverse materials, such as wire,
plastics, plant fibers and strips of fabric and paper, in addition
to various yarns. The focus will be on form, content and technique,
along with discussions about concept and material appropriateness.
Participants should have some experience with crochet, as we will
dive right into studio work.
Level: Intermediate to advanced
Workshop Fee: $300 - Supply Fee: $30
FIVE-DAY MASTER CLASS
MONDAY, JUNE 6 - FRIDAY, JUNE 10
Master Class: Balancing the Surface: Nature
and Chemistry
Joy Boutrup and Yoshiko Wada This
workshop is full
Explore different ways to strike a balance between hand manipulation
and technology. Using both natural and synthetic materials coupled
with traditional skills and innovative methods, the two instructors
will experiment with materials and techniques to find inventive
and successful combinations. They will consider a variety of possibilities
taken from a wide breadth of textile practices: from the East,
from the West, referencing industry practices, and artisanal techniques.
Level: advanced.
Workshop Fee: $450 - Supply Fee: $65
For
More Information:
Conference
Registration starts Jan. 3, 2005.
For
Registration Information and Registration Form
Click
here
You do not have to attend the conference to attend a workshop, however
you will have an additional $50 "workshop only" fee.
You do not need to be a member of SDA to take a workshop.
If you are not a member but would like to request a conference brochure,
e-mail Marie Plakos: marie.plakos@att.net
Questions:
For all conference related questions:
Carolyn Kallenborn
Kansas City Art Institute
4415 Warwick Blvd.
Kansas City, Missouri 64111
816-802-3370
e-mail: cmkallen@earthlink.net
For SDA Membership Information:
Joy Stocksdale
The Surface Design Association
P.O.Box 360
Sebastopol, CA 95473-0306
707-829-3110
e-mail: joystocks@worldnet.att.net
Did
you miss the last conference?
"Hands On" June 5 - June
8, 2003
Recap of the conference
Original 2003 announcement
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