Kasia Koralewska
she/her
Kasia Koralewska
Magnolias Hippari, 2019
hand brushed dyes and wax resist on silk 1.8m x 1.2m
Silk hippari painted with magnolias.
Kasia Koralewska
Basic Social Unit Hierarchies, 2021
canvas silkscreen printed with pigments each column 1.1m x 2.8m
The project Basic Social Unit Hierarchies focuses on matriarchal and patriarchal elements within a basic social unit – a family. I study the distinction between these two models, based on my partner’s and my genealogical histories. I investigate the generational (three generations) and ethnographic (Polish and Canadian) differences and transformations regarding gender-imposed roles within studied families. I hope that the process, along with the installation - which is a culmination of my research - will, to some extent, elucidate my position and identity as a woman in my own family. The work consists of two pillars of printed cloth depicting the dynamics between matriarchal and patriarchal elements within my partner’s and my family. The catalyst for this project was my curiosity to find out how our different histories and experiences have impacted our understanding of our partnership in a domestic context. I want to be aware of any behavioral tendencies we both might have inherited into our home life. I hope for this piece to also inspire my audience to revisit the homes where they come from and to analyze how the domestic models that they have experienced influence their current relationships. Inspired by the 18th century Toile de Jouy, my pieces are printed on canvas in monochromatic blues and reds. The motifs of traditional Toile de Jouy depicted idyllic scenes of every-day life. My drawings of family life might seem to be pleasant at first, but after a closer look, they also show loneliness, neglect, boredom, and anxiety.
Kasia Koralewska
Pattern Obsessed, 2014
variety of fabrics silkscreen printed with pigments varies
"Pattern Obsessed" is a textile installation in which I explore the diversity within one design. I alter the rhythm of the pattern by using different colour accents and I optically change the shapes of negative spaces. Printed yardages turn an empty corner into a living space, which at first seems to be pleasant and cozy. However, after a while, obsessively repetitive pattern creates an overwhelming and uncomfortable atmosphere.