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For this workshop, students should have basic experience on how transparent dye behaves and mixes on the silk. Demonstrations will focus on using dye, sodium alginate, cellulose, water and salt to create imagery and border design. Cellulose will be used both to treat the silk and as a dye thickener. They will be instructed on how to work with dye and thickening agents such as sodium alginate and water-soluble resists. Specifically, students will learn techniques that allow them to layer and dye-paint a motif on top…Find out more »
Solo exhibition of new work synthesizing impressions of India's actual and metaphorical spaces. Press release: IndiaBeginner's_Eyes_newsreleaseFind out more »
Exhibition Dates: July 6- September 1, 2018 Entry Deadline: May 7, 2018 Entry Fee: $35.00 This juried exhibition features the current work of the finest national and international contemporary quilt artists, July 6 – September 1, 2018. Art quilts accepted for exhibition will exemplify innovation in quilting and surface design techniques as well as excellence in artistic composition and craftsmanship. The goal of the exhibition is to recognize the world’s finest contemporary quilt artists and to advance the art form.…Find out more »
Join us for a comprehensive introduction to the centuries-old process of floating paint onto a water-based bath, creating patterns in the paints with special tools, and permanently transferring the design onto paper. You will learn all the fundamentals of marbling, from mixing the bath, prepping the paper, and making your own tools, to learning traditional patterns and creating your own. You will take home finished papers ready to use for whatever you wish - book covers and endpapers, collages, jewelry,…Find out more »
Dye knitted or woven fabric, yarn or roving with user-friendly acid dyes. Begin with simple immersion dye processes and resists. Explore shaping and resist techniques in the hot dye pot, so that wool and silk retain their shape when dyed. This is great for quilters, knitters, weavers and fabric artists who want to add something new to their repertoire.Find out more »
Focusing on plant derived natural indigo, participants in this intensive workshop will prepare two organic indigo vats for dyeing both protein and cellulose fibers. We will create an array of swatches and explore resist dyeing techniques reliant on the particular working qualities of indigo. Fabric will be provided, but you may bring along materials you wish to experiment with in the dye pot! No previous experience required.Find out more »
This class will offer experiences for those familiar with marbling as well as first timers. The objective is for everyone to come away with 10 to 20 sheets of beautifully marbled paper as well as an opportunity to explore marbling of other surfaces to include garments, fabric, absorbent objects made of cast paper, paper Mache, bisqued ceramics, and wood. The first day we'll go through the process of preparing paints (acrylics) and gelatin size. Then I will take you thru…Find out more »
Tapestry weaving has a long tradition as a narrative art form. While that aspect initially drew Alex to the medium, it was the weaving process that really excited her. She realized the simplicity of the grid and the basic over/under interlock of the warp and weft would allow her to explore many ways of creating more dimensions within the basic parameters of traditional tapestry. She will talk about the circuitous route in her evolution as a contemporary tapestry weaver. Alex…Find out more »
Boro is a Japanese term meaning something tattered or repaired. Fold, pleat, wax, press, dye (with indigo, black walnut, and pigments), flatten, deconstruct, reconstruct, make marks and stitch on assorted papers. Use some of the newly designed papers to make a Japanese tabletop hinged screen.Find out more »