Ilze Aviks
Mate Un Ausma (Mother and Ausma) 1939 (Detail), 2016

SDA Juried Member Exhibition: Forecast // Recast

Chehalem Cultural Center
415 E Sheridan St
Newberg, Oregon 97132
United States
December 6, 2022 – January 27th, 2023
Artist Reception: December 9, 5 – 7pm PT

Members of the Surface Design Association (SDA) are invited to submit work for Forecast//Recast: Surface Design Association Juried Member Exhibition. Juried by Tanya Aguiñiga, the exhibition will be on view from December 6, 2022 through January 27, 2023 at the Chehalem Cultural Center in Newberg, OR. The exhibition includes awards. Entries may be submitted online through September 15, 2022 at CaFÉ.

This call for entry is closed. 

Exhibition Theme

Forecast//Recast will bring together artists and artworks that explore ideas of predicting, reshaping, and re-predicting — works that offer a glimpse of possible futures, reexamine historical narratives, shed light on needed social and ecological interventions, and bend inquiry towards new aims to reframe the way we view the world.

Highlighting fiber and textile-based materials and techniques, cross-disciplinary practices, experimental processes, and material innovation, this exhibition prompts a reshaping of the future with works that predict our current trajectories, cast a new gaze on the past, and revise what is to come.

All SDA members working in all media are encouraged to apply. Forecast//Recast will celebrate works that push the evolution of textiles through the use of color, design, processes, and meanings. Works chosen will demonstrate unique, well-developed artistic vision and innovation, and will include the best of contemporary work by SDA members.


Tanya Aguiñiga | Photo credit Katie Levine

Tanya Aguiñiga

Tanya Aguiñiga was born in 1978 in San Diego, California, and raised in Tijuana, Mexico. An artist, designer, and craftsperson, Aguiñiga works with traditional craft materials like natural fibers and collaborates with other artists and activists to create sculptures, installations, performances, and community-based art projects. Drawing on her upbringing as a binational citizen, who daily crossed the border from Tijuana to San Diego for school, Aguiñiga’s work speaks of the artist’s experience of her divided identity and aspires to tell the larger and often invisible stories of the transnational community.

Aguiñiga began her career by creating collaborative installations with the Border Art Workshop/Taller de Arte Fronterizo, an artist collective that addressed political and human rights issues at the U.S.-Mexico border. The artist co-built and for six years ran a community center in Tijuana, aimed at bringing attention through arts initiatives to injustices that the local community faced. Aguiñiga has maintained this spirit of activism and community collaboration throughout her career, going on to create many performances and installations that involve the participation of other artists, activists, and community members. In her installations, furniture, and wearable designs, Aguiñiga often works with cotton, wool, and other textiles, drawing upon Mesoamerican weaving and traditional forms. In 2016, in response to the deep polarization about the U.S.-Mexico border, Aguiñiga created AMBOS (Art Made Between Opposite Sides), an ongoing series of projects that provides a platform for binational artists. Her inaugural AMBOS project, Border Quipu, used brightly colored strands of fabric to create quipu—an Andean pre-Columbian organizational system—that recorded the daily commutes to and from the United States.

Tanya Aguiñiga holds an MFA in furniture design from Rhode Island School of Design and a BA from San Diego State University. She is a United States Artists Target Fellow in the field of crafts and traditional arts, a National Association of Latino Arts and Cultures awardee, Creative Capital grant awardee, and a recipient of an Americans for the Arts Johnson Fellowship for Artists Transforming Communities. She has had major solo exhibitions at the Smithsonian American Art Museum, Washington, DC (2018); Museum of Arts and Design, New York (2018); among others. Her work has been included in exhibitions at Annenberg Space for Photography (2019) and Craft and Folk Art Museum, Los Angeles (2018), among others. Aguiñiga lives in Los Angeles, California.

Entry Procedure & Fee

Entries are accepted online through CaFÉ Call for Entry website.

$40 SDA members / $20 SDA student-members

Not an SDA Member? Join today and get 10% off your membership with the code SUMMER22.


  • First Place: $500
  • Second Place: $300
  • Third Place: $150
  • SDA Award of Excellence: One (1) year free digital SDA membership


September 15, 2022 Entry deadline
October 19, 2022 Notification of acceptance
November 18-28, 2022 Selected artwork due at Chehalem Cultural Center
December 6, 2022 Exhibitions opens
January 4, 2023 Online panel discussion held as part of Textile Talks
January 27, 2023 Exhibition closes
February 18, 2023 Shipped artwork is returned

Please email with any questions.