This month’s member spotlight is Aotearoa New Zealand-based artist Jeanette Verster. Jeanette takes us through her creative process, materials, and how her ideas develop over time. Finding myself in an out-of-the-way corner of New Zealand due to a move for my husband’s job in 2018 I was at a junction career-wise and had the luxury …
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This week’s Friday Fibers Roundup features a mix of articles focusing on weaving, specifically basket weaving and the techniquest, artists, and exhibitions surround it. Access to sweetgrass key for artists at Maine Indian Basketmakers Holiday Market “Access to Sweetgrass key for Artists at Maine Indian Basketmakers Holiday Market” spotlights Micmac Donna Sanipass’ spectacular, detailed pinecone …
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The holidays are fast-approaching and what better gift to give than a book on textiles? Surface Design Association presents our countdown spotlighting some of our favorite books that came out in 2018–perfect for any fibers fan. Whether you’re into contemporary approaches, technical skills, project ideas, or historical readings, this list has got you covered! “Weaving: …
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FibreWorks Studio & Gallery in Pender Harbour, British Columbia showcases a wide range of fiber arts—from basketry and paper-making, to dyeing and weaving, by local, national, and international artists—all within an inspiring collection of studio yurts. In honor of FibreWorks’ 10th anniversary, they have two special exhibitions this summer, both of which feature some amazing …
Read More »This go round, Mickie serves up hot links to international yarnbombers, Mobilia Gallery’s textile-rich database, V&A’s delectable video channel featuring edgy toile – plus favorites from Hand/Eye online magazine. And don’t miss far-flung quilts of many colors. Let Mickie hook you up, here!…
Read More »Experience the thrill of seeing Barbara De Pirro’s creative mind at work while getting your consciousness raised by her unexpected mixing of organic & synthetic (and environment-damaging) materials in her outdoor installations….
Read More »SDA Journal editor Patricia Malarcher confesses she “didn’t used to be a “lace person”: lace was fussy, frivolous,susceptible to snags; it belonged on wed- ding gowns and garments of historic artistocrats, not in the studio. Seeing the lace that artists are making today reversed [her] “no” to a vigorous “yes”.” Find links to the new face of lace stories featured here!
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