The Nature of Things: Essays of a Tapestry Weaver by Tommye McClure Scanlin In his artist statement in the 1988 World Tapestry Today exhibition catalog, Archie Brennan wrote that tapestry is a frequently boring 20th century activity (1). Author and tapestry artist Tommye McClure Scanlin concedes the point. She notes it can be boring when …

Textile Art in The UK and Europe As a member of SDA, I was astonished to encounter the richness and beauty of work by my fellow members included in Beyond Boundaries. The exhibition showcased a diversity of textiles—ranging from quilts to  batik, shibori and weaving, mixed media and more, all on display at Galerie Zône …

I had the privilege of teaching AP Art History during my tenure at the School for the Talented and Gifted in Dallas, Texas. It was glorious, marching through time, beginning with the Paleolithic age until we reached the Contemporary. However, there was an underlying problem with the course. The textbook, or “the canon” as it …

Pastoral Song: A Farmer’s Journey by James Rebanks Early on a summer Sunday morning, as I prepared to write this piece, an urgent call came from my neighbor. The sheep we’d put in her hay field to grass, had escaped. Suddenly, I’d not only read James Rebanks’ paean to English sheep farming, but I was …

Resilient Stitch: Wellbeing and Connection in Textile Arts by Claire Wellesley-Smith What great fortune to encounter a book aimed at resilience in my field (hand crafting) at this very moment! I resisted reading this book quickly. I also chose not to read it over multiple days, preferring to find one good stretch of time and …

Surface Design Association is excited to announce Fiber Revolution, our Spring 2022 edition of Surface Design Journal.  “This issue’s theme, Fiber Revolution (after all, what is a revolution but a circle?), highlights the work of artists and educators in our community who draw inspiration from the natural environment and adopt sustainable practices as part of …

Welcome to my exhibition, Stitched Stories, in the south of The Netherlands! I know it’s not really next door for most of you, but it is a great opportunity to see an overview of my work in a beautiful gallery. The show will be up until April 18, 2022 at High Five Art (Baarle-Nassau, The …

Collaboration Through Craft edited by Amanda Ravetz, Alice Kettle, and Helen Felcey One thing that signals success in a work (or collection of works, as this is) is the degree to which it sends me to its footnotes and source materials. In other words, does it excite me to look further? This collection of sixteen essays, …

The catalyst for my current body of work is volunteering at a local thrift store. Huge heaps of clothing are donated every day, but only a small amount is good enough to be put onto the store floor. The rest are shunted further down the supply chain until the items eventually end up in a …

Allie Dudley is an artist I met in 2017 at Penland School of Craft in Spring Concentration, while I was co-teaching with Bhakti Ziek. In that eight-week session Allie was like a sponge, asking many questions and eagerly soaking up every suggestion. They spent long day and night hours hard at work in the weaving …