Roz Ritter
Missing, 2019
Hand embroidery on silk, silk threads 32" x 27" (framed)
Louise Barker
Sacred Water, 2022
Dyed Rayon with Hammered and Patina on copper on wood panel 12" x 24"
Carol Myers
Lost in Gray, 2023
encaustic, drawing, painting 9"h x12"wide x 1.75d
Karen Gelbard
River Rock Grey Shawl, 2016
Handwoven with silk, cotton, Tencel, bamboo and rayon. 24"W x 80"L
Susan Clark
Rug: Sleeping or swimming, 2025
Traditional rug hand punching using slim hand cut strips of fabric, not tufted using a machine. The fabric used in this rug is recycled, and I made every attempt to use only recycled wool. The backing is burlap. 47.25 inches by 80 inches by .5 inch
Evelyn Politzer
Felt Dreamscapes, 2024
Wet felted merino roving. Hand knit vines and other sculptural elements 3 panels of 4.5' x 7' x 3" each
Susan Hotchkis
Remain Detail, 2016
Felt, Voile, Cotton fabric H 150 cm x W 52cm
Connie Heller
Fly Me to the Moon (Six Petal Flower), 2025
Indigo dyed panel made of silk organza, hand tied and stitched indigo-dyed cotton with hand-sewn thread markings and gold leaf. Each panel is supported by an aluminum rod suspended with microfilament. 50” x 54”
Deborah Kruger
RE-DRESS, 2022
screen-printing on recycled plastic bags, sewing, fabric, wrapping, constructed with building foam and papier-mâché 6.3' x 2' x 2'
Mindy Goodman
Interrupted, 2023
Paracord, thread, hand stitched 14.5” x 19.5” x 9.5”
Myrna Tatar
Gifts of Caring, 2018
Fabric, Paper, Plastic, Metal, Hair, Linen Thread 21" x 26" x 2.5"
Fleur Thesmar
No plastic, 2022
Paper, linen, shredded magazines, avocado and flower dyes, cotton thread, handwoven wool, pigments, soy milk 36x27
Anette Millington
Nautilus, 2021
Digitally Designed Canvas, Quilting, Wood, Zipper 3 ft round
Christine Aaron
Secret, 2018
burned, oak gall ink dyed, asian paper with thread stitching 10" x 8"
Christine Aaron
Emergence (detail), 2020-present
thousands of hand dyed silk cocoons, thread dimensions variable. as shown 10 x 8 feet x 5 inches
Jes Reyes
Peak, 2022
Various fibers 14" × 18"
Susan Clark
Voyage to the Red River 1821, 2023
Screen printed hand painted silk sewn on damask tablecloth with appliqué. 68" x 68" x .5"
Erica Spitzer Rasmussen
Bound and Tied, 2019
mixed media with handmade paper (cotton and mulberry fibers, walnut stain, gelatin capsules and a secret note to self) 24”w x 64”h x 8”d
Katia Bulbenko
Rebloom, 2022
Dyed silk, printed cotton, beads, thread, nylon cord, mesh, polyester filling 9"x 6"x 6"
Eileen Braun
Knit Paper Vessel, 2024
Factory discard dressmaker pattern tissue paper innovative, self-directed explorations of thoughtfully selected materials—porcelain, reed, rubber, encaustic wax, aluminum screen, fiber, reclaimed post-consumer discard, and foil gilding—used in unconventional applications. She challenges the boundaries of what should be included in an artist’s toolkit, reimagining materials for her new purposes. Her latest work involves knitting dressmaker’s pattern tissue accented with gilding foil, which she transforms into large tapestries and vessels with undulating, intricate surfaces. Recently, Ms. Braun gained international recognition for combining the contrasting materials of rattan reed—a traditional basket-making material—and rubber, commonly found in construction. The unexpected fusion of these elements results in sculptures that exude personality and movement. Since 2019, Ms. Braun has been exploring the potential of the pattern tissue, initially using it to texture surfaces and encase her reed forms. By 2023, she embraced the material as her primary medium, knitting fragile 4-inch-wide strips with no tool other than her fingers, that in close inspection reveal the tissue’s inked patterns and instructions. By juxtaposing the undervalued mundane factory waste tissue with precious gold gilding foil, Braun challenges social norms, traditional notions of value and materiality, undervalued labor in the sewing industry, and the preciousness of gold. In these works, the tissue gains new life and value. The large scale of these knitted constructs twists its use from unseen to the forefront. Ms. Braun sees in the finished draped gullies and peaks a reference to natural
Holly Wong
Thalassa, 2025
Lightfast colored pencil and graphite on acrylic, hand sewing, and finishing nails 55 x 58 x 4 inches