Communal Absences, 2025

Mirrors, embroidery floss 26" H x 57" W

Birthday Bowl, 2026

Thread scraps 10"l x 9"h x 10"w

Littoral, 2019

Artist-made abaca paper, aqueous dispersed pigments, waxed linen thread 14"h x 40"w x 2 1/2"d

Twister, 2013

cotton fabric and threads, jewelry wire, Plexiglas armature 20" X 18" X 6"

The Fragile Blooming of Hope, 2023

encaustic, drawing, painting 10"h x 8"W

“Treasure Tower IX”, 2024

Burlap, gauze, stitch, chain 27" x 68"

Soma Bay Series, 2019

Knotted waxed linen, semiprecious stones, pin oak windfall 9” l x 9” w x 3” h (not including stick structure)

Echo Chambers, 2020

Artist made over beaten abaca paper, waxed linen 76"x60"x9"

Entropy, 2023

Washed ashore burlap, damaged quilt fragment, vintage dresser scarf, silk remnant, commercial cottons, cheesecloth, chicken bones, sea shells, rusted spring, dried sea algae, ephemera, hand spun wool yarn with human hair, vinyl spackling, India ink, spray paint, found objects. 33" x 33"

Small Talk, 2022

Hand dyed shibori, embroidered, silk, cotton 38" x 29"

Wigwag Field, 2021

fabric, eyelets, thread varieties 20 x 20 x 2

A Year of Nuts, Seeds, and Fruit, 2022

linen warp, natural dyed wool weft 56" x 11.25"

Floating Grasses, 2014

Fabric, Thread 3 x 4

The Butterfly Effect, 2019

Cotton, thread, batting 20 x 20 inches

I’ll Fly Away #1: Curiosity, 2022

hand-dyed silk fabrics and hand- dyed cotton embroidery threads 15" H x 10.5" W

New Beginnings, 2023

Transparency, Thread, Wire 43" x 34" x 1.5"

Extras, Flucht #30, 2020

Screenprint, cotton, 60/120 cm

Hard Soft, 2025

Ink and thread on Cotton 24" by 32"

Chromatic Book Blocks, Pink, 2021

digital embroidery, wood, paint, hardware 1.5 x 32 x 2

Searching for Balance, 2021

painted silk, machine stitching 25" 18"

Heart of Being, I, 2018

Hand woven on a digital loom (TC-2) acrylic yarn, nylon yarn 35" x 21"

Knit Paper Vessel, 2024

Factory discard dressmaker pattern tissue paper innovative, self-directed explorations of thoughtfully selected materials—porcelain, reed, rubber, encaustic wax, aluminum screen, fiber, reclaimed post-consumer discard, and foil gilding—used in unconventional applications. She challenges the boundaries of what should be included in an artist’s toolkit, reimagining materials for her new purposes. Her latest work involves knitting dressmaker’s pattern tissue accented with gilding foil, which she transforms into large tapestries and vessels with undulating, intricate surfaces. Recently, Ms. Braun gained international recognition for combining the contrasting materials of rattan reed—a traditional basket-making material—and rubber, commonly found in construction. The unexpected fusion of these elements results in sculptures that exude personality and movement. Since 2019, Ms. Braun has been exploring the potential of the pattern tissue, initially using it to texture surfaces and encase her reed forms. By 2023, she embraced the material as her primary medium, knitting fragile 4-inch-wide strips with no tool other than her fingers, that in close inspection reveal the tissue’s inked patterns and instructions. By juxtaposing the undervalued mundane factory waste tissue with precious gold gilding foil, Braun challenges social norms, traditional notions of value and materiality, undervalued labor in the sewing industry, and the preciousness of gold. In these works, the tissue gains new life and value. The large scale of these knitted constructs twists its use from unseen to the forefront. Ms. Braun sees in the finished draped gullies and peaks a reference to natural

Marital Constraints, 2023

Home-cooked bioplastic, artist's financial statements, crochet thread, artist's and artist's mother's wedding dress 20" x 20" x 14"

My Saints Oh!, 2010

clay, paper, paint, hardware mesh, bones, chain, found objects, marker 17" x 18" x 4"