Judy Bales
Book of Days/Forest Floor detail, 2025
Varied recycled and thrifted fabrics on structure of wire fencing. 68" x 236" x 5"
Emmanuelle RAPIN
TRANSMISSION, 2024
Woven copper threads, hair embroidered with a Lunéville crochet, cotton thread. 24 × 28cm
Connie Shea
Allora, 2019
driftwood, rayon, wool, synthetic rope 4' x 2'
Susan Hensel
Chromatic Book Blocks, Pink, 2021
digital embroidery, wood, paint, hardware 1.5 x 32 x 2
Lisa Jean Allswede
Bubble Machines Are Essential to Life, 2020
Hibiscus photograph embellished with hand & machine embroidery, beads, sequins, and nails mounted on top of a painted basswood panel 8”h x 8”w x 1.5”d
Lydia Nakashima Degarrod
detail Fragmented Worlds, 2025
Handmade paper Mulberry and flax fibers, mulberry bark lacing, paper lithograph 12x18z8 inches
Molly Bullick
Thread Drawing, 2020
Hand stitched silk, silk/cotton on linen 30cm x 30cm
Brownyn Bigelow
Deliberate Marks, 2022
Cotton canvas, linen, mulberry paper, webbing 17 X 13.5
Violet Shirran
Two for Joy, 2018
Cotton Velvet, cotton, stitch and discharge print 4o cm x 80 cm framed
Kirstin Demer
In The Moments of Memory, 2026
Handmade abaca/ cotton paper, pigmented pulp, wood, metal ring, ink, rivets 7" x 30" x 26"
Astrid Bennett
Stacked Dreaming Quilts, 2023
80x80" quilts, vintage table. Indigo and fiber reactive dye on cotton broadcloth, machine stitching, vintage table 45 x 19 x 21"
Loretta Faveri
Apology, 2025
handmade paper made by my aunt, thread, ink 36" x 48" x 8"
Patricia Miranda
A Tender Desirous Unkempt Thing, 2022
Donated+ found repurposed vintage textile, muslin, twill tape, thread, pins, steel hoop, pvc piping, wood 180 x 72 x 108” (variable)
Meryl Ruth
Tweet Tea, A Fiber Teapot, 2022
Embroidery thread, tulle, wool, water soluble stabilizer H 9″ x L 8.25″ x W 5″
Eileen Braun
Knit Paper Vessel, 2024
Factory discard dressmaker pattern tissue paper innovative, self-directed explorations of thoughtfully selected materials—porcelain, reed, rubber, encaustic wax, aluminum screen, fiber, reclaimed post-consumer discard, and foil gilding—used in unconventional applications. She challenges the boundaries of what should be included in an artist’s toolkit, reimagining materials for her new purposes. Her latest work involves knitting dressmaker’s pattern tissue accented with gilding foil, which she transforms into large tapestries and vessels with undulating, intricate surfaces. Recently, Ms. Braun gained international recognition for combining the contrasting materials of rattan reed—a traditional basket-making material—and rubber, commonly found in construction. The unexpected fusion of these elements results in sculptures that exude personality and movement. Since 2019, Ms. Braun has been exploring the potential of the pattern tissue, initially using it to texture surfaces and encase her reed forms. By 2023, she embraced the material as her primary medium, knitting fragile 4-inch-wide strips with no tool other than her fingers, that in close inspection reveal the tissue’s inked patterns and instructions. By juxtaposing the undervalued mundane factory waste tissue with precious gold gilding foil, Braun challenges social norms, traditional notions of value and materiality, undervalued labor in the sewing industry, and the preciousness of gold. In these works, the tissue gains new life and value. The large scale of these knitted constructs twists its use from unseen to the forefront. Ms. Braun sees in the finished draped gullies and peaks a reference to natural
Sonja Czekalski
Wedding Dress (27,648 Women Per Day), 2020
Steel wire, aluminum wire, yarn, kozo paper pulp, flax paper pulp. 58" x 62" x 47"
Kelly Mead
Director’s Vision, 2024
Linen, polyester sewing and embroidery thread various weights 8"x10" artwork 14" X 15" with frame
Rosalind Daniels
Let Justice Roll Down Like Waters and Righteousness Like a Mighty Stream, 2023
Cotton, recycled denim, decorator fabric 12 x 98 inches
Nancy Koenigsberg
Looking Glass, 2019
Coated copper wire and metal foil 12" x 12" x 1"
