Where We Started, 2021

discharged cotton fabric, thread 4ft x 4ft x 8in

Playland #1, 2020

Commercial and hand-dyed cotton solids 82"wx83"l

Queen Vessel, 2020

Merino wool, hand-dyed habotai silk, silk roving, metallic thead, textile paint. 7.5" X 11.5"

When Asked to Look up, do not Lose Sight of What is on the Ground, 2022

hand woven and stitched nylon zips 195cm x 200cm

A Good Home, 2022

Wool yarn, wool thread, silk, wool roving 18.5 x 18.5 inches

Forbidden Fruit (Rabbit Therapy Series), 2023

linen napkin, indigo-dyed linen, cotton threads, batting 24x24"

Under My Skin, 2017

Digital image printed on textile; embroidery 26" x 36"

Mad Wolf, 2024

Vintage baby blanket, cotton thread, fabric paint, and batting 38" x 29"

ARCH QUILTED COATS with PLAID CASHMERE SCARVES, 2019

cotton, cashmere coats: 60" x 50", scarves: 40" x 80"

Mushroom Color Atlas, 2021-present

Natural Fibers (wool, silk, linen) 3" x 3" (each piece)

Transformation 3, 2024

cotton,silk organza,repurposed quilt 54x90

Dragon Accordion Book, 2024

India ink, archival ballpoint, crayon, coffee, water color, gouache, color pencil, acrylic on paper, mounted on canvas 12"x72"

Porcelain vine II, 2019

botanical prints, cotton canvas, silk applique, embroidery 75" x 55"

Shockwave, 2024

Cotton fabric, silkscreened images with ProcionMx Dyes, Machine quilted W 37" X H 37"

In Between, 2023

Repurposed fabric on wood board 24"x24" Inches

Knit Paper Vessel, 2024

Factory discard dressmaker pattern tissue paper innovative, self-directed explorations of thoughtfully selected materials—porcelain, reed, rubber, encaustic wax, aluminum screen, fiber, reclaimed post-consumer discard, and foil gilding—used in unconventional applications. She challenges the boundaries of what should be included in an artist’s toolkit, reimagining materials for her new purposes. Her latest work involves knitting dressmaker’s pattern tissue accented with gilding foil, which she transforms into large tapestries and vessels with undulating, intricate surfaces. Recently, Ms. Braun gained international recognition for combining the contrasting materials of rattan reed—a traditional basket-making material—and rubber, commonly found in construction. The unexpected fusion of these elements results in sculptures that exude personality and movement. Since 2019, Ms. Braun has been exploring the potential of the pattern tissue, initially using it to texture surfaces and encase her reed forms. By 2023, she embraced the material as her primary medium, knitting fragile 4-inch-wide strips with no tool other than her fingers, that in close inspection reveal the tissue’s inked patterns and instructions. By juxtaposing the undervalued mundane factory waste tissue with precious gold gilding foil, Braun challenges social norms, traditional notions of value and materiality, undervalued labor in the sewing industry, and the preciousness of gold. In these works, the tissue gains new life and value. The large scale of these knitted constructs twists its use from unseen to the forefront. Ms. Braun sees in the finished draped gullies and peaks a reference to natural

Making Connections, 2022

Deconstructed screen print, dyed, embroidered, cotton 12" x 12"

Turks & Caicos Wall Mural – WIV-625: Tropical Wallpaper for a Vibrant Interior Wall in Vogue – by Fanny Aouizerate, 2020

wallpaper, paper 50"wx88"h

M98 Variation 3 (Blue), 2025

recycled cardboard, paint, paper, glue 26.5" x 94"

Autumn on the Road, 2023

encaustic, drawing, painting 12"h x 16" W

Winter Garden, 2025

Sewn archival pigment prints on kozo paper, thread, origami diamonds 46" x 51"

Never More, 2022

Cotton, wool, silk, linen, metallic yarns 72 X 52.5

Safe keeping, 2022

Collage, botanical prints, leaf prints, wool, linen, and mixed paper. Hand and machine stitching. Silk woven spine. 8.5” x 7.5” x 2”

Blue Wool Vest, 2022

Wool warp and weft Size M