Paulette Sauve
IRIDESCENT CITY, 2021
Cotton, fiber optics,microcontroler 74 x 122 cm.
Monika Auch
Embryologic_object series, 2008
fishing line, surgical tubes 4 x 3 x 5 cm
Caryl Fallert-Gentry
Jacuzzi Jazz #2, 2021
cotton fabric, cotton/bamboo batting, acrylic & polyester thread, ink 48" x 48"
Rachelle LeBlanc
I Choose Therefore I Am, 2022
Vintage hand-stitched quilt made with men's suits, cotton, acrylic yarn, hand-dyed, hooked wool and cashmere, yarns made with up-cycled denim, cotton, wool, water bottles, vintage silk sarees, hand-woven wool, and polyester sash. 62" x 60"
Judy Bales
Book of Days/Forest Floor, 2025
Varied recycled and thrifted fabrics on structure of wire fencing. 68" x 236" x 5"
Kathy Knapp
Grandma K’s Legacy (detail), 2022
Textiles, beads, Grandmother's potholder, handkerchief, photograph and recycled jewelry. 7.5" round x 3"
Paulina Constancia
Blocked Eye, 1996
rhinestones, acrylic and dimensional paints,
on a pre-framed canvas 15 x 15 inches
Norman Sherfield
Cowboy Clown, detail, 2021
Waxed linen and found objects 7.5"H x 2.5"W x 2"D
Jennifer Tsuchida
Into the Deep No. 1, 2021
hand felted wool fleece, hand dyed silk 30 inches height x 9 inches width x 4 inches depth
Anna Faye Korngute
The Red Line, 2020
Silk Noil, hand painted with dye and hand stitched 67” x 25”
Lesley Turner
The Rooster, 2024
Fabric: cotton, hemp, polyester. Thread: cotton, polyester. Beads, feathers, glue, poly filling, webbing, wood, acrylic paint 22' h x 39" w x 1.5" d
Ellen Solari
and beyond, 2021
fabric remnants, hand stitched 10x10"
Bronwen Paterson
‘Plastic Bones’ (Set of Four), 2020
Mixed media. Hand sewn heat pressed plastics; embellished with screen-printing, glitter, beads nails and thread. 60 x 60cm
Sue Weil
Bringing the Outside In, 2021
Cotton, wool, Tencel, tulle 23" x 63"
Eileen Braun
Knit Paper Vessel, 2024
Factory discard dressmaker pattern tissue paper innovative, self-directed explorations of thoughtfully selected materials—porcelain, reed, rubber, encaustic wax, aluminum screen, fiber, reclaimed post-consumer discard, and foil gilding—used in unconventional applications. She challenges the boundaries of what should be included in an artist’s toolkit, reimagining materials for her new purposes. Her latest work involves knitting dressmaker’s pattern tissue accented with gilding foil, which she transforms into large tapestries and vessels with undulating, intricate surfaces. Recently, Ms. Braun gained international recognition for combining the contrasting materials of rattan reed—a traditional basket-making material—and rubber, commonly found in construction. The unexpected fusion of these elements results in sculptures that exude personality and movement. Since 2019, Ms. Braun has been exploring the potential of the pattern tissue, initially using it to texture surfaces and encase her reed forms. By 2023, she embraced the material as her primary medium, knitting fragile 4-inch-wide strips with no tool other than her fingers, that in close inspection reveal the tissue’s inked patterns and instructions. By juxtaposing the undervalued mundane factory waste tissue with precious gold gilding foil, Braun challenges social norms, traditional notions of value and materiality, undervalued labor in the sewing industry, and the preciousness of gold. In these works, the tissue gains new life and value. The large scale of these knitted constructs twists its use from unseen to the forefront. Ms. Braun sees in the finished draped gullies and peaks a reference to natural
Anette Millington
Blossom Series: Monarch, 2025
Woodblock Print, Lokta Paper, Oil Ink, Waxed Cotton Thread, Archival Adhesive 16 in x 27 in x 27 in
Victoria Smits
Shared Inheritance, 2024
Hand-stitched textile made from wedding dress of artist’s second marriage, avocado-dyed cheesecloth, cotton thread, Pacific North- west Madrone, cochineal-dyed yarn (French knots mark each gesta- tional day of artist’s last pregnancy) 86” x 64”
Connie Heller
Blue Remnants Installation View 1 (Tenaciously of Place and Spanish Colonization), 2024
Sixty panel installation of 27” x 72” indigo dyed panels made of silk organza, hand tied and stitched indigo-dyed cotton with hand-sewn thread markings and gold leaf. Each panel is supported by an aluminum rod suspended with microfilament 1100 SF (variable).
Beth Marx
Tectonic Drift, 2026
Corriedale wool roving, mulberry paper 10" x 8"
Alex Friedman
Pandemic Passage, 2021
wool, silk, polyesters on cotton warp 60 x 39 inches
Rosemary Burd
9:22 am, 2023
Silk embroidery thread on original photograph printed on cotton rag paper 9" x 12"
Regina Benson
Restored Legacy, 2017
Cotton, rust, acrylic 42"H x 46"W x 3" D
Carlyn Yandle
Scaffolds, 2020
Found Tyvek spun polyester building wrap, construction-site detritus, rebar 120"W x 120"H x 8"D