Petits futés (Clever Little Rascals), 2024

Mixed textiles and fibers, batting, linden frame 30 x 36 inches / 76.2 x 91.4 cm

‘Plastic Bones’ (Pair), 2020

Hand sewn heat pressed plastics; embellished with screen-printing, glitter, pins and thread. 35 x 50cm

Bind, 2021

Cotton muslin, urethane foam, cotton thread 7”x9”x5”

Atomic, 2021

Acrylic Monoprint / Digital Graphic 37.5" W x 55" H

Self-Portrait, 2020

Hand-dyed raw silk and embroidery floss 44.5 x 12.5

Anasazi Roadways, 2007

Cotton fabric and threads, fabric paint 20" x 27"

Hush (I remember how warm your skin used to be); from the Braille Series, 2020

Scavenged vintage rabbit fur glove liners, glass beads, rayon-cotton blend fabric, steel Variable; approximately 32" x 9" x 3"

The Bramble – Night, Close Up, 2023

Mixed media fiber art, fabric, paper, monoprints, hand and machine embroidery, watercolor 22 x 31

Grey & Gold, 2021

cotton fabric, cotton/bamboo batting, acrylic & polyester thread, ink 40" x 40"

I’m Just Trying to Get Home, 2016

newspaper, red party streamers, gold thread 22" x 34" x 1"

Heated Boundaries, 2019

Silk shantung, Kona cotton; hand dyeing, thermofax screen, textile paint, Fabrico pens, fusing. 68" h x 39" w

The Presence of Absence, 2019

Hydrostone, cotton thread Variable

Object, 2025

Organza fabric, thread 8"x18"x12"

Boatswain’s Mate Billy, 2024

Embroidery on Cotton 16 X 16 X 2

Curious Form 2, 2018

wool felt, wool roving and cotton thread. 16 x 16 x 9 inches.

Hate Hat, 2019

deconstructed MAGA hats, cotton, thread 28 x 9 x 12"

Downpour, 2025

Silk and cotton quilt 11.25" x 11.25"

The Virgin Forest, 2014

Lino Cuts with gouache and Chine collé 48” h x 36” w

Still Standing, 2025

Cold Press Fine Art Paper, Paper Raffia 42"w x 27"h

Indigo Composition No. 13, detail, 2020

Cotton, fabric paint, flour resist dyed fabric 78" x 85"

Baby Dragon, 2012

Cotton Fabric, lace, metal and sequin beads 12”X21”

Shirtdress, 2018

Cotton shirtdress, string 12"x12"

Power Puff, Black Racing Stripe Baggage Cart, 2021

Bike reflectors, paracord, Fresh Direct bag yarn, doggie poop bags, plastic newspaper bags and plastic grocery bags woven on gold spray painted recovered shopping cart. 36 x 40 x 24 in

Knit Paper Vessel, 2024

Factory discard dressmaker pattern tissue paper innovative, self-directed explorations of thoughtfully selected materials—porcelain, reed, rubber, encaustic wax, aluminum screen, fiber, reclaimed post-consumer discard, and foil gilding—used in unconventional applications. She challenges the boundaries of what should be included in an artist’s toolkit, reimagining materials for her new purposes. Her latest work involves knitting dressmaker’s pattern tissue accented with gilding foil, which she transforms into large tapestries and vessels with undulating, intricate surfaces. Recently, Ms. Braun gained international recognition for combining the contrasting materials of rattan reed—a traditional basket-making material—and rubber, commonly found in construction. The unexpected fusion of these elements results in sculptures that exude personality and movement. Since 2019, Ms. Braun has been exploring the potential of the pattern tissue, initially using it to texture surfaces and encase her reed forms. By 2023, she embraced the material as her primary medium, knitting fragile 4-inch-wide strips with no tool other than her fingers, that in close inspection reveal the tissue’s inked patterns and instructions. By juxtaposing the undervalued mundane factory waste tissue with precious gold gilding foil, Braun challenges social norms, traditional notions of value and materiality, undervalued labor in the sewing industry, and the preciousness of gold. In these works, the tissue gains new life and value. The large scale of these knitted constructs twists its use from unseen to the forefront. Ms. Braun sees in the finished draped gullies and peaks a reference to natural