Purchase, 2019

Artist-made abaca paper, abaca pulp 10"h x 10"w x 10"d

Knowledge of Sensation, 2018

cotton, rayon, polyester, yarns 27" x 25"

Relief printing from my personal linoleum archive., 2021

Lino printing on various mixed paper, embossing, hand embroidery, machine sewing, ink painting. Various sizes.

The Most Famous Stars and Stripes #2, 2018

paper receipts, thread, Swiffer microfiber cloths 59" x 39" x 0"

Deliverance, 2025

Cotton Fabric, Faux Fur, Minky 12" x 12"

Object of My Affecction, 2024-2025

Organza fabric, thread Variable

Heatwave, 2026

Machine lace,cotton, silk applique 8"x10

Dichotomy of Red (full view), 2022

textiles, beads 34" x 28" x 18"

Marking Time 58, 2022

tea bag, thread 5.5 x 3.25 inches

Grandma K’s Legacy (detail), 2022

Textiles, beads, Grandmother's potholder, handkerchief, photograph and recycled jewelry. 7.5" round x 3"

Materfamilias, 2017

Abandoned quilt, vintage doilies & unfinished embroideries, wool, silk organza, stones. 57” W x 85” H

Piecemaking #7, 2023

3 mm Merino wool felt 24" x 32"

Sitting Under the Eucalyptus Tree, 2022

Re-purposed and eco-dyed fabric, fiber and sticks 25x32x1

Bulletproof, 2017/8

Linen, Cotton 109 x 155 cm

Broken Pickets 2, 2019

cotton Jacquard 34 h x 26 w x 0

Whirligig #2, 2019

Commercial and hand-dyed cotton solids 69"w x79"l

Pursuit of Abjad, 2017

Plaster of Paris 220x180cm

Aqua Lava wool vessel, 2019

Iceland and Corriedale wool; silk, hand felted with resist 10" x 12"

Rug: Sleeping or swimming, 2025

Traditional rug hand punching using slim hand cut strips of fabric, not tufted using a machine. The fabric used in this rug is recycled, and I made every attempt to use only recycled wool. The backing is burlap. 47.25 inches by 80 inches by .5 inch

Weight of time, 2024

Screen print, free machine embroidery, 56 x 43cm

, 2026

Acrylic on cotton fabric, polyester stuffing, thread, colored pencil 4 in x 18 in x 4 in

CONNECT THE DOTS#2 PACIFIC GYRE, 2019

ARTIST'S PHOTO OF PLASTIC BOTTLES, TEXT OF INFORMATION ON PACIFIC GYRE 14"SQ

Knit Paper Vessel, 2024

Factory discard dressmaker pattern tissue paper innovative, self-directed explorations of thoughtfully selected materials—porcelain, reed, rubber, encaustic wax, aluminum screen, fiber, reclaimed post-consumer discard, and foil gilding—used in unconventional applications. She challenges the boundaries of what should be included in an artist’s toolkit, reimagining materials for her new purposes. Her latest work involves knitting dressmaker’s pattern tissue accented with gilding foil, which she transforms into large tapestries and vessels with undulating, intricate surfaces. Recently, Ms. Braun gained international recognition for combining the contrasting materials of rattan reed—a traditional basket-making material—and rubber, commonly found in construction. The unexpected fusion of these elements results in sculptures that exude personality and movement. Since 2019, Ms. Braun has been exploring the potential of the pattern tissue, initially using it to texture surfaces and encase her reed forms. By 2023, she embraced the material as her primary medium, knitting fragile 4-inch-wide strips with no tool other than her fingers, that in close inspection reveal the tissue’s inked patterns and instructions. By juxtaposing the undervalued mundane factory waste tissue with precious gold gilding foil, Braun challenges social norms, traditional notions of value and materiality, undervalued labor in the sewing industry, and the preciousness of gold. In these works, the tissue gains new life and value. The large scale of these knitted constructs twists its use from unseen to the forefront. Ms. Braun sees in the finished draped gullies and peaks a reference to natural

Menu For Life, 2018

Couche (pastry cloth), ink, thread 23" x 33"