Tarn, 2023

Paper covered wire, paper pulp, waxed linen. 6 x 5 x 5

What It Means To Be Human: Laughter & Tears (detail), 2025

Machine stitched paper 24" x 12" x 1"

Wheel of Fortune for the Fortunate, 2025

Home-cooked bioplastic, shredded U.S. currency, white peony petals, hand-stitched with crochet thread 42.5" X 42.5" X 0.25"

Rent Wound Tear, Mend Heal Repair, 2022

Canvas, acrylic paint, string, hemp cord, lace 64 x 68" (dimensions variable)

This Forest (unrolled), 2026

Upcycled fabrics and old clothing, machine stitching, acrylic paints, hand embroidery, original poem 7" x 4" (closed); 7" x 84" unrolled

Knowledge of Sensation, 2018

cotton, rayon, polyester, yarns 27" x 25"

Dendron, 2016

Hand-dyed silk fabric and cotton threads, polyester thread 26 x 34.25 inches

Other Forests, Rain, 2021

Archival pigment prints on kozo paper, thread, paper rocks 31" x 17"

Navigating a Broken World detail, 2015

Linen, cotton, wool felt, cotton and polyester threads, steel 43 x 61 x 9

Untitled 6, 2026

Repurposed textile, leather, cotton, wood 25cm x 30cm x 8cm

Fond Memories of Good Company, 2023

repurposed domestic textiles, thread, ink 102h x 78w

After all these years who is that staring back at me?, 2023

Digital thermal print scans printed on velvet, cotton thread, vinyl, batting. 63” x 105” x 2”

In the Fabric of Space and Time, 2019

wax resist dyed canvas 6’ x 10’ x 3’

Knit Paper Vessel, 2024

Factory discard dressmaker pattern tissue paper innovative, self-directed explorations of thoughtfully selected materials—porcelain, reed, rubber, encaustic wax, aluminum screen, fiber, reclaimed post-consumer discard, and foil gilding—used in unconventional applications. She challenges the boundaries of what should be included in an artist’s toolkit, reimagining materials for her new purposes. Her latest work involves knitting dressmaker’s pattern tissue accented with gilding foil, which she transforms into large tapestries and vessels with undulating, intricate surfaces. Recently, Ms. Braun gained international recognition for combining the contrasting materials of rattan reed—a traditional basket-making material—and rubber, commonly found in construction. The unexpected fusion of these elements results in sculptures that exude personality and movement. Since 2019, Ms. Braun has been exploring the potential of the pattern tissue, initially using it to texture surfaces and encase her reed forms. By 2023, she embraced the material as her primary medium, knitting fragile 4-inch-wide strips with no tool other than her fingers, that in close inspection reveal the tissue’s inked patterns and instructions. By juxtaposing the undervalued mundane factory waste tissue with precious gold gilding foil, Braun challenges social norms, traditional notions of value and materiality, undervalued labor in the sewing industry, and the preciousness of gold. In these works, the tissue gains new life and value. The large scale of these knitted constructs twists its use from unseen to the forefront. Ms. Braun sees in the finished draped gullies and peaks a reference to natural

Saltwater, 2020

Watercolor / Art on Paper / Weave 30" W x 40" H

Evolving Identitiy, 2025

Cold Press Fine Art Paper, Paper Raffia 30" w x 32"h

Sand Creek Trail, 2023

Handmade paper and thread 31"W x 24"H

Foltz Machine Assemblage, 2019

Elements from the processes of a machine shop in Ohio, including broken tools, metal scraps, wiring, and woven shipping straps. 27" x 34"

Transformation, 2019

Felted Wool and Wool Yarn 70" X 8" X 8"

Found Object Tidal Wave II, 2023

Found objects hand-stitched to a section of a vintage quilt 40" x 40"

LineScape #23 (Mad Hatter), 2013

hand-dyed & screen-printed cotton fabrics, batting, stitching 30 x 28 inches

Synthesis, 2015

cotton, linen, wood, nails, board 8" by 8" by 2" high

Weft Extension (Study 1), 2025

recycled cardboard, glue 28.5" x 60"

Relief printing from my personal linoleum archive., 2021

Lino printing on various mixed paper, embossing, hand embroidery, machine sewing, ink painting. Various sizes.