Liz Hewitt
Flow, 2019
Rusted West African Strip Cloth, West African Mud Cloth strips, vintage linen, silk thread linen thread 23" x 56"
Jo Westfall
Blow In It, 2022
Pnuematic hose, game controllers, phone cables, piano parts, coated wire clothes hangers, and AV cables. 36" x 33" x 5.5"
Alicia Merrett
The Jewelled City on the Winding River, 2018
Hand-dyed cotton sateen fabrics, fusible web, cotton and polyester threads 26" x 26"
Cheryl Gross
Dragon Accordion Book, 2024
India ink, archival ballpoint, crayon, coffee, water color, gouache, color pencil, acrylic on paper, mounted on canvas 12"x72"
Heather Ritchie
Ball and chain, 2021
Marble, cotton, recycled bedsheets 18"×12"
Sun Smith-Foret
Ritual Vessels Series, reverse, 2019
Knotted waxed linen, semiprecious stones 6” l x 6” w x 3” h
Marilyn Geary
I Too Was Once a Child With Dreams, 2021
Plastic tarp, landscape fabric, kraft paper, wool 48" x 48"
Susan Hotchkis
Two-Faced detail, 2016
Felt, Voile, Silk, Cotton fabric H 150 cm x W 52cm
Marie Bergstedt
Love Crosses Borders, 2017
Cotton, wool, silk, acrylic, buttons, beads, needlepoint canvas 60"H x 52"W x 2.5"D
Sonja Czekalski
Innards, 2021
My grandmother’s fabrics, my old bedsheets, embroidery floss, yarn, flax paper pulp, seaweed paper pulp, natural dyes, RIT dyes, red wine, and adhesive on canvas. 54"x 52" x 8"
Jes Reyes
Memory Networks (close up), 2024
various fibers installation
Irina Moroz
Taming the Thunder, 2023
Fiber (wool, silk, viscose) 16"x20"
Sarah Bearup-Neal
Color of Water [diptych], 2019
Painted, printed + altered papers. Compositions are mounted on Luan substrate. 16.5" w X 8.5 l
Terry McClain
Barbs and Leaves, 1994-7
Magnet wire, barbe wire, eucalyptus leaves 10"H x 15"W x 8"D
Joan Diamond
Covid 2, 2020
Cotton flannel, wool, commercial fabrics, yarn, thread 8 1/4"H x 12"
Susan Fecho
Soft Glow of Light, 2012
Heliographic Art on Linen, Ink, and hand-stitching 36x36"
Sheary Clough Suiter
Mending Mother Earth, Vintage cotton tea towel buried in Mother Earth for seven months, stained and decomposed via soil, rain, rodents, and rusty objects. Suturing of the cloth, sticks, and dirt clods that were embedded after “harvesting,” utilizing a reclaimed eco-dyed crocheted doily, various reclaimed textile scraps, and hand stitching with cotton, linen, and silk threads., 2022 – 2023
Vintage cotton tea towel buried in Mother Earth for seven months, stained and decomposed via soil, rain, rodents, and rusty objects. Suturing of the cloth, sticks, and dirt clods that were embedded after “harvesting,” utilizing a reclaimed eco-dyed crocheted doily, various reclaimed textile scraps, and hand stitching with cotton, linen, and silk threads. 25 x 25 x 1 inches
Sheary Clough Suiter
Mending Mother Earth, Vintage cotton tea towel buried in Mother Earth for seven months, stained and decomposed via soil, rain, rodents, and rusty objects. Suturing of the cloth, sticks, and dirt clods that were embedded after “harvesting,” utilizing a reclaimed eco-dyed crocheted doily, various reclaimed textile scraps, and hand stitching with cotton, linen, and silk threads., 2022 – 2023
Ilze Aviks
Platitude: It’s O.K., 2022
Cyanotype on rag paper, cotton thread; hand stitching 10.5" x 13.5"
Amy Meissner
Materfamilias, 2017
Abandoned quilt, vintage doilies & unfinished embroideries, wool, silk organza, stones. 57” W x 85” H
Jill Goldstein
Empire of Pain (detail), 2024
cotton and silk thread and antique wire lace on linen 15" x 20"
Lauran Sundin
Two Become One, 2010
!8 Karat Gold Wire, Oxidised Sterling Silver Wire, Stainless Steel Wire, Tahitian Pearls 13”x 7” x 1”
