Imogen Zino is a designer and artist based in Auckland, New Zealand. She completed a Master of Design at Auckland University of Technology that explored large-scale multi-sensory interaction and the benefits of engaging with our environment through the body. Her works are intuitive and tactile in nature. Delving into the relationship between body, surface and …

We have quite an exciting lineup of books to be featured this year in SDA’s Book Club! Our first addition for 2021 is A Perfect Red: Empire, Espionage, and the Quest for the Color of Desire by Amy Butler Greenfield, reviewed by Vivien Zepf. A Perfect Red: Empire, Espionage, and the Quest for the Color of …

My making is intuitive and resourceful, I appreciate and value the time and natural materials that combine, intersect and grow, reflecting both love and life. I have always been drawn to embroidery, weaving and gardening: powerful and diverse mediums that connect me with other makers, working together in communities or at home. I honor those …

For me there is nothing more satisfying than harvesting materials respectfully from the land, processing them and creating something beautiful. I admit, I am obsessed by raranga (Māori weaving). Making through raranga processes has been a source of cultural reclamation and grounding that I otherwise would not have experienced. Harvesting and preparing the materials is …

Exporting Shibori from Arimatsu to Africa, Machine Sewn-Resist and Complex Substrate (Episode 4), was the final episode of Slow Fiber Studios’ online talk Conversations with Cloth. Hosts Yoshiko Iwamoto Wada and Ana Lisa Hedstrom ended the premier series on how Arimatsu artisans created new textile designs when faced with foreign trade opportunities, post WWII. Highlighting …

Michelle Mayn is a New Zealand Aotearoa artist based in Auckland Tāmaki Makaurau. Mayn’s practice, situated within the field of process art, explores a world beyond sense perception through durational methods of making to create intra-active installations and mixed media sculptures. Mayn has regularly exhibited in solo and group shows in New Zealand and the …

When we think of weaving or plaiting as an art form, our initial response is to consider it in relation to traditions associated with women. However, there has been a shift in Aotearoa New Zealand over recent decades. A growing network of kairaranga tāne (Māori male weavers) has been working within their whānau (families) and …

This month, Conversations with Cloth, debuted Episode 3: Itajime Shibori/Clamp-Resist, hosted by Yoshiko Iwamoto Wada and Ana Lisa Hedstrom, from Slow Fiber Studios. The focus of the series continues on the core concept of the transformation of cloth, 2D pliable plane to 3D shapes, a dimensional transformation that is the essential concept of shibori, explained in Yoshiko’s …

Thank you to everyone who made this year at SDA possible! Without the work from our dedicated staff, board, volunteers, committees, and members, none of this would have happened. 2020 has been a rollercoaster of a year, and the fact that anyone was still able to accomplish something is no small feat. Here’s a look …

Surface Design Association is excited to announce Aotearoa New Zealand, our winter 2020 edition of Surface Design Journal, will be arriving in mailboxes shortly! This Journal provides a glimpse into the creative community of Aotearoa New Zealand. From vibrant fabric sculptures and the wool industry, to the conservation of Māori Textiles, readers will find a …